https://oddlittlemuseum.org/artfindsyouwell daily 0.75 2022-09-12 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/068632cc-6a02-4887-aa58-053d1eba39c5/UVA+Arts+logo.png Art Finds You Well - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/1630528169220-OMNFDPGRXOE6IG7DS6GJ/we-hope-this-art-finds-you-well-square-logo-600px.png Art Finds You Well https://oddlittlemuseum.org/ivan-orr-videos daily 0.75 2021-09-10 https://oddlittlemuseum.org/ramona-martinez-mala-leche-reading daily 0.75 2021-09-10 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/1631301224109-UMJJKQ0GP16OYABUM9CY/ramona.jpg Ramona Martinez Mala Leche reading - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://oddlittlemuseum.org/heather-mease daily 0.75 2021-11-28 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/1632261853197-GCP71V7Y166WIL71XYAI/heather+record.jpg Heather Mease - “Foil” This piece is part of Heather’s experimental work during the pandemic where she left records outdoors for an entire year, carved into them with knives and then re-replayed the record. “Foil” is a collaboration with Jordan Perry and an exploration into time and sampling that Heather described as “me performing Jordan” to create music that is a mixture of “the familiar and the unfamiliar, comfort and discomfort.” https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/1632261756026-SUM2HFR1DC3X6PWJBEHL/heather+mease+pic+3.jpg Heather Mease Heather Mease is an independent musician and artist studying musical nostalgia, a grad student teaching in the music department at UVA, and a staff member at The Bridge PAI. Though she missed performing at the Southern and scheduling shows at the Bridge, Heather enjoyed teaching over zoom. Covid provided an opportunity to experiment and “work with my pieces for over a year changing little things.” She found “something beneficial about having to sit in your own bath water for a year.” Despite her difficulty finding things to hold onto when there was no deadline, she was propelled forward by her motto; “even if my work is super weird, who cares? Who cares not as in ‘who cares about that thing’ but who cares if you have to take a risk during this time.” https://oddlittlemuseum.org/leslie-scott-jones daily 0.75 2021-11-28 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/1632265421563-R33NHT0B8TDN52LV7BZE/60592ccac6485.image.jpg Leslie Scott-Jones Leslie is also involved in the Jefferson School’s Charlottesville Players Guild. The Guild’s mission is to “make sure every Black artist knows what it is like to create within a completely Black space.” Among myriad projects within the Guild, Leslie has worked on reimaginations of Shakespeare’s classic plays in the Black aesthetic. During the pandemic, Leslie wrote and directed a play called Thirty-Seven – the story of a Black man wrestling with whether to get involved in the Black Lives Matter Movement, as well as the constant battle of being Black in America. When asked about her motivation or how she does it all, Leslie will likely tell you she was raised by an amazing “woman who never stops.” Creativity, motivation and support for the Black community are “baked into her DNA,” she says. Stay on the lookout for more of Leslie’s upcoming work, including the release of her new EP and the rollout of the next season of the Grounds podcast. https://oddlittlemuseum.org/ramona-martinez-and-sri-kodakalla daily 0.75 2022-03-06 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/c29eab18-eb1d-424b-b593-ed16717d07f9/242483708_274475021021960_3317155597218718699_n.jpeg Ramona Martinez and Sri Kodakalla Sri Kodakalla and Ramona Martinez are both artists, arts organizers, and co-directors of the Feminist Union of Charlottesville Creatives (FUCC), whose mission serves to support a community of women, gender-queer, and non-binary artists in Central Virginia. Primarily a printmaker, Ramona uses the medium as an act of resistance, against commodification and towards collective ownership, collaboration, and spirituality. Sri is a mixed media artist whose sculptural and fiber works are often inspired by her love of storytelling. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/95b878cf-56bf-4efa-8fa3-0458b0ff8683/Mala+Leche.jpeg Ramona Martinez and Sri Kodakalla - Mala Leche: a Zine for a New World As the pandemic brought society’s injustices into stark relief, Sri and Ramona sought a collective response from their artist communities. As co-directors of FUCC, they launched Mala Leche, a quarterly radical art zine. Ramona says the stories in the zine represent the most uniquely positioned people to shape a more radically inclusive and supportive world. Through these voices, creating and living authentically becomes a radical act: “Artists are some of the most important people to creating the world that we want to see. Because artists have the freedom and the ability to imagine what that world might look like.” https://oddlittlemuseum.org/emily-morrison daily 0.75 2021-11-28 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/72675444-74c1-4ac5-931b-3ad4683b3b8b/120564306_1563567603834060_7791467514093309818_n.png Emily Morrison “I feel like at the beginning of the pandemic, I really was terrified that our business might just fail and go away. But we are thriving, we are stronger than ever, we’ve been so impactful. And it is really due to the strength and quality of the musicians who are teaching artists at The Front Porh. And also just the unbelievable depth of talent that exists in this community that we’ve been able to draw from. It’s a very deep well of creativity and talent and generosity.” https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/2f1abb8e-a44e-4f9b-801d-b6d0d6b3a06d/save-the-music-webpage-logo.png Emily Morrison “Pre-COVID, mid-COVID, post-COVID… the thing is making sure that those important connections stay alive in our community. And we’re learned that it can look really different and still be very powerful and meaningful. For example, we have some teachers who decided to move all their lessons online and they have stayed online… What’s happening for us is that, we’re just following the meaningful connections where they are and helping to steward them. “COVID happened and everything came to a halt. So all of our lessons and classes became virtual. Most of our students stayed with us, and many more joined us. We also kept our music venue alive, although the concerts became live streamed. For most people who played during the year of COVID, Save the Music was their only paying gig. We used that opportunity to raise money for other nonprofits – close to $30,000. And it was really a special time. It was hard, not having people together in the room, certainly. But our organization thrived, even despite the separation.” https://oddlittlemuseum.org/eze-amos daily 0.75 2022-03-06 https://oddlittlemuseum.org/alex-christie daily 0.75 2022-03-06 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/d518520c-7288-40c1-99a7-627a9ce54052/Synths-for-Beginners-1536x1536.jpeg Alex Christie When Alex had to take a step off the stage and enter the world’s quarantine, he did so with creativity and community outreach. This time for Alex was marked by making some music and teaching Synths for Beginners through The Bridge PAI. Alex noted that this virtual class made art and knowledge more accessible to a larger group of people, and this aspect of the pandemic should continue to be considered in the future. However, Alex told WTJU he also found comfort in cooking with his partner, staying in touch with loved ones and simply having a place to live. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/8ab6f9a1-5374-4585-80c7-7c7ed6369c16/PXL_20210914_001323449.jpg Alex Christie Alex shared a bit about his current favorite synth, which is built into a foldable chessboard. He also wanted to let the record show he created this synth before the release of The Queen’s Gambit and the public’s obsession with chess that followed. The chess pieces are knobs that dictate sound, and this melding of shape and noise is no coincidence. Alex explained that he is interested in the duality of what something is meant to do and what it can also do when turned into a synthesizer. In much of Alex’s work, physicality and music mesh to create an unpredictable listening experience. Look up Alex Christie to learn more about his upcoming projects that may feature glitter, a dissertation turned interactive website, and more physical music pieces. https://oddlittlemuseum.org/warren-craghead daily 0.75 2021-11-28 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/2b5d8a10-01ea-4cc6-9417-d6957f74eeec/vax-w-02.jpg Warren Craghead In addition to drawing, Warren focused on family and friends during the pandemic. Continuing to engage in social interaction, as well as art, was a helpful way to focus on the positive during a draining time. He mentioned that seeing other creatives in Charlottesville create great work was a large motivating factor in his own ongoing creative process. To see Warren’s art and hear his field recordings, visit his website at craghead.com. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/654320d2-599d-47cd-bb0d-04623a299ed7/mask-04.jpg Warren Craghead A large part of Warren’s work is rooted in rhythm. He will draw or listen to something on repeat until interpretation and meaning evolves. This practice makes Warren’s art uniquely intricate in its meanings, but this doesn’t take away from its accessibility in the Charlottesville community. If you drove around the University of Virginia anytime since the pandemic started, you’ve likely seen quirky signs telling people to “mask up.” These helpful posters are the work of Warren. With a sketchbook and pens in his pockets, he both braved the new world and decided to help it in his own way. https://oddlittlemuseum.org/ivan-orr daily 0.75 2021-11-28 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/262d4b57-97a7-460d-b2bd-b71e283fd379/Ivan+Orr+photo.jpeg Ivan Orr In early May, Ivan was hospitalized because of Covid. “I was left to rely on my ears,” he says of his hospital days, which dramatically improved his “perception of pitch and surrounding hearing.” After his recovery, he incorporated deeper listening practices, such as “slowing down, and patiently downloading music into my operating system.” Ivan reexamined his values. “We have time and I can be patient, just doing things that really fulfill me.” He was grateful to have time “just about every day to write something new, or refine some idea that I've already put down.” Making music during the pandemic has felt like exercise. “I’ve been playing a lot and I want to maintain it, and the horn is not going to play itself.” https://oddlittlemuseum.org/larissa-rogers daily 0.75 2022-03-06 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/590fa984-e5f8-4bf0-bf90-245bfe8ba565/qyb6xt4ui21wneybgk1jholrpfyrqqofpljp5joux88.jpeg LaRissa Rogers - Monuments, Amnesia, and Memory Charlottesville, already swirling in questions of monuments, history, and white supremacy, became a prime focus for LaRissa’s inquiry upon her return. Born and raised in Charlottesville, the towering symbols to racist, systemic violence were so deeply rooted in the sites and spaces that they became commonplace – speaking to a tradition of forgetting and erasing painful and painfully present histories. Confronting the erasure embedded in collective memory, LaRissa works in site-specific meanings. As a radical act of resistance and healing, she practices self-care on the Richmond Slave Trail. As an ode to the memory of ancestors, she forms her silhouette out of the soil from Farmington Country Club and Pen Park, former plantation sites turned golf courses. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/787e40c2-5a7f-436d-9443-28309406ca7b/8ff7afel8gzf5cpdermurd1_v8girljbmmitgtcmd9k.jpeg LaRissa Rogers - Yucca Plant: A Living Heirloom Though LaRissa works with memory and what it means to memorialize, she refuses to specularize death in her art. Moving away from Western ideologies of passive permanence and legacy, she seeks to explore memory as an active process – one that requires continuous confrontation and care. At the center of her recent works is the memory and presence of her great-grandmother. The yucca she plants traces its histories back to her great-grandmother’s garden: “That yucca plant ended up being this archive of her resilience and our relationship, but also required me to care for it... What does it mean to care for this soil or this plant that was never given this tenderness or care when it was alive or living?” LaRissa proposes an alternative memorial, transforming memory from something passive and erased to something that requires confrontation and interaction everyday – something living. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/d36fa62e-95f2-4123-a344-36d7f7abe1f5/51170558541_52cb16852f_c.jpg LaRissa Rogers - Exploring Materials Tracing the histories of colonization, patriarchy, labor exchange, and hybridity, LaRissa moved from painting and printmaking to performing with organic materials. In one piece, she gingerly washes her body with orange juice; in another, she plants her great grandmother’s yucca into a former plantation’s soil. She asserts her body into the physical narrative – her treatment of these objects a continuation of their histories into the stark present. “It’s exciting, and working with organic materials is really rewarding because it’s always changing and living.” https://oddlittlemuseum.org/nathan-moore daily 0.75 2025-07-17 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/f7e86e89-98f1-4dee-974b-5fe9abcc8b17/wtju_wxtj_header.jpeg Nathan Moore - Sudden Disconnection At the start of the pandemic, leaving home became potentially perilous to one’s health, and the station’s close-knit network of hosts and supporters found themselves unable to experience the connections that feed the station’s purpose. Quarantine pushed the station to radically restructure its operations – from building software from scratch to support dozens of DJs broadcasting remotely from home, to figuring out how best to support a community, both within and outside the station. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/3749b827-ce50-40bf-a356-87a34d392bf9/QUARANTINE-HAIKUS-1536x1536.jpeg Nathan Moore - Spreading Joy and Empathy When the local Charlottesville community found itself in lockdown, the station perceived a vital need in helping nurture the community’s sense of itself. Looking to re-connect people, WTJU began collaborating with other arts-focused organizations to launch projects focused on spreading much-needed empathy and joy in the midst of pandemic confusion and fear. For the radio station, ensuring that people were okay and sharing musical respite became an act of community care – one that proved vital in an unprecedented time. A whimsical premise of collecting homemade renditions of Ode To Joy led to finding comfort in the little things. In partnership with The Bridge PAI, Quarantine Haikus sought out crowd-sourced, uplifting poems to alleviate the stress of the Covid outbreak. The Front Porch’s Save the Music concert series brought together local musicians to perform webstreaming concerts that aired on WTJU. https://oddlittlemuseum.org/chroma-projects daily 0.75 2021-12-08 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/a3b49996-fdf8-42f0-adca-a319c5a72b05/ChromaProjects_Logo_ArtGallery+%281%29.jpg Chroma Projects Our programming has always featured Charlottesville artists, but we believe that introducing artists from out of the area to our artists here has benefitted both the local and the visiting artists in many ways, providing collaborations and out of town opportunities. As regards Pandemic related projects, we presented a group show in the spring titled "Persephone Ascending". It was a large multi-site invitation to women artists to celebrate the coming of spring and the (seeming) emergence from the pandemic and other forces that have held our society in the dark. For the fall, as we slip back into Pandemic mode once again, we are presenting "Pandemonium: Postcards from the Edge" - 100 artists describe on a postcard the personal terms of dealing with the frustrations and struggles and even the humor associated with our current challenging times. https://oddlittlemuseum.org/fucc daily 0.75 2021-12-08 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/f95d6272-1451-41ee-8a7b-f60b129620fc/MALA%2BLECHE_social%2Bmedia_1.png Feminist Union of Charlottesville Creatives Ramona Martinez: “Before COVID-19, FUCC was largely focused on organizing our annual art exhibition and hosting occasional clothing swaps. Sri Kodakalla and myself (Ramona Martinez) took over as co-directors in January or February of 2020, and by late March we were buying a website domain to host our annual show online, in light of the shutdowns. Sri and I really thought hard about how we could create FUCC programming that would inspire people and also be safe to participate in. I had been talking about publishing a zine for a year, and Sri was the one who suggested we produce it through FUCC. We already had a pretty big network of artists (maybe around 25-30) who regularly participated in our programming and we thought we could easily pull something together. Truth is, it was much harder than anticipated! Every step was a learning process, including how to make a 15-20 page booklet (much more confusing than it seems at first!) But we had a lot of support from our community and we have been able to publish two (three as of mid September 21) zines and pay artists for their work. Through this work, FUCC transitioned from an artist collective into an organization that creates programming for women, non-binary, and genderqueer artists and writers. We have a lot planned for the future, and we hope to continue bringing people into our orbit to share their amazing work with us and our communities here in Central Virginia” https://oddlittlemuseum.org/new-city-arts daily 0.75 2021-12-08 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/e999f5f5-326e-4c9d-97ff-988fef13925c/Announcement.jpg New City Arts As the days turned into weeks and months, we followed the crowds to Zoom and were delighted to find that it is possible to cultivate community and welcome in a digital space. There were late evening chats between artists sharing about their work; multisession poetry workshops for teens facilitated by Iréne Mathieu and Valencia Robin; and monthly CreativeMornings events led by our new host, Kori Price. The 7th annual Artist Exchange went virtual with A.D. Carson, Brielle DuFlon, Christina Flowers, David Joo, Federico Cuatlacuatl, LaRissa Rogers, Liz Zhang, Marley Nichelle, Stacey Evans, and Vanthi Nguyen connecting via Zoom and exchanging work made for one another via contactless delivery and pick-up in January 2021. Even our public dinner series and grantmaking event went virtual. At Charlottesville SOUP: TV Dinner Edition, attendees picked up a Pearl Island dinner to enjoy at home and came together via Zoom to award Charlottesville poet Myra Anderson a $3,710 grant to self-publish a poetry book (Reclaimed Roots) about her enslaved ancestors at Monticello & the University of Virginia. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/c8bc4f19-506c-469b-9834-adf7a8d0759c/oy9ffxilwxwvjlidh1qp7uy7bxlmzhzzmlveckn49p4-1.jpeg New City Arts On March 20, we partnered with The Bridge to co-found the C'ville Emergency Relief Fund for Artists with seed funding from The FUNd at CACF to immediately disburse $300 to 20 artists in need and redistribute 100% of any additional Emergency Fund donations received. Thanks to the generosity of the photographers (Ezé Amos, Sarah Cramer Shields, Kristen Finn, and John Robinson) behind the Cville Porchraits Project, community members, The Front Porch, and Sam Abell, we were able to distribute over $50,000 to over 170 Charlottesville-area artists who had lost income sources due to the pandemic, https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/43bb432b-424d-48b9-afc8-4e82362def6d/Screen+Shot+2021-09-28+at+12.28.38+PM.png New City Arts We heard from artists three specific needs: financial support, studio space, and exhibition space. In Fall 2020, New City Arts announced a new fellowship for artists. Artists selected by a selection committee made up of Mauruce Wallace, Sarah Boyts Yoder, and Horace Ballard each received one month in 2021 to transform Welcome Gallery into their studio space as well as a $400 honorarium, a stocked pantry with favorite snacks, and an opportunity to engage the community with their work at the conclusion of their fellowship. Ashon Crawley, LaRissa Rogers, Somé Louis, Joumana Altallal, and Tobiah Mundt worked on projects related to the theme Next Breath: History, Hate, Possibility written by Maurice Wallace. This call for proposals invited artists working to address the ongoing impacts of systemic racism and the COVID-19 pandemic to propose creative projects that deeply and imaginatively related to breath as the essence of life and freedom. In recent months, New City Arts has shifted back to monthly exhibitions and has even held a few (small) in-person events. If you were to come by Welcome Gallery on October 1, 2021, you would find an exhibit featuring sculpture by Marisa Williamson, Sandy Williams IV, and Patrick Costello. Maureen or Lindsey would greet you at the door and we would smile hard with our eyes over our masks. We would probably wave or elbow bump and keep some distance between us. And then we would talk about the artwork and about our families and our favorite new take-out spot. https://oddlittlemuseum.org/visible-records daily 0.75 2021-12-08 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/a6d4f8e3-818f-46cf-82aa-8522aa3de1ad/IMG_9541.JPG Visible Records Our first exhibitions in the gallery space were "Tiahue Tocha" by Colectivo Rasquche, followed by "Is This the Place?" with artists Liz Zhang and Natalie Romero as part of the Inaugural Freeman Artists Residency. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/f29081a4-cfa1-42ef-baed-a69738eb42a9/IMG_5108.JPG Visible Records As a brand new arts organization that opened during the pandemic (November 2020), the shift in global pace of activity proved to be a blessing in disguise. The need to prioritize social distancing and safety meant that we committed to growing our community slowly. For the first four months, we operated at half capacity, and for a moment there in the summer reached two-thirds. The slower pace of growth has allowed us to be intentional about creating containers for people to engage with each other, rather than focus on recruitment and filling the space. This looked like reading groups, movie screenings, outdoor social activities, and informal skill shares between artists in the space. For many, Visible Records became a healthy balance of work and social life- in a time when most struggled to find either, nonetheless in tandem. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/89fe07a7-80fa-4bf1-a91e-81e8c95e35a1/IMG_9342.jpg Visible Records Growing our community slowly allowed us to focus on what each artist needed to be as successful in the space as possible. In our first year, we have fully or partially subsidized five studio spaces for artists at Visible Records through individual donations. We sourced collective tools and knowledge for a communal woodshop (complete with a mandatory safety training), and we help artists furnish their studios from materials and supplies around our warehouse community. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/1d5f7e11-5a1c-411b-86b7-1dd41c75a765/IMG_9301.jpg Visible Records Rather than begin hosting exhibitions in our gallery space during the pandemic, we offered the space to the Charlottesville Mutual Aid and Beyond Policing campaigns to host community programming and realize their vision of a Free Store. Twice a week from January to July, the gallery doors were open for folks to grab essential and fun items, all for free. Artists volunteered to help cultivate a community garden, and the produce went directly to the free store. Volunteers also supported the execution of The Solitary Gardens, a project at the intersection of art and gardening that uplifts the voices of people who are incarcerated. https://oddlittlemuseum.org/hamner-theater daily 0.75 2021-12-08 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/3d3b1083-3d96-4802-bd11-e10e3dfc6152/Newtown+zoomversation.png Hamner Theater For eight seasons The Hamner Theater had an intimate black box theatrical home at the Rockfish Valley Community Center and produced plays to fulfill its mission of telling the stories of our community as well as producing professional quality performances for the residents of Nelson County, to offer a performing arts venue in Nelson County and to create a community theater open to and reaching out to all residents of Nelson and its surroundings. In the years following our release of venue, we collaborated with PlayOn! Theatre, with Live Arts, with Four County Players and continued our free Improv sessions as well as our VPSI readings and workshops. We were the fiscal sponsors for several area performance groups, PEP (Performers Exchange Project) and CPC (Charlottesville Playwrights Collective) as well as BAC (Belmont Arts Collective) and have stayed active in the local theater world. As we redefine and hone our purpose now, with our studio at Crozet Arts, we want to continue telling the stories of our community; we want to bring to light what has been hidden away, to encourage and foster bold, sustainable community conversations. We want to make a difference in our community, one story at a time, one play at a time. Our future work includes Dementia Friendly Theater; work with the senior population, specifically with residents of care facilities; a summer Shakespeare for Crozet and surrounding environs. We want our projects to be able to travel to underserved or more remote communities where access to the performing arts may be limited. We believe that theater should be available and accessible to all because it is a necessary part of a healthy society. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/12bc3840-2aa9-4f8a-bf0e-8c7a96e95793/BoomTown.jpg Hamner Theater The Newtown Project was begun in 2018 in response to the question “where is the diversity in Crozet?” posed by a board member of color. The question opened a Pandora's box of issues and more questions and we are continuing that conversation with our Newtown Project Expansion, a series of plays and monologues which look at the larger, historical context of the Greenwood Chemical Plant explosion and its place in the history of Environmental Justice issues. Expanding themes include the Middle Passage and slavery; exploration of the "playground of the wealthy" - the estates that front Newtown and were former plantations through the new adaptation of The Cherry Orchard. We are exhuming the lost history of Newtown and environs. https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/f954993c-da15-44e9-9e3b-4bc032a1897a/Cherry+Orchard+copy.jpg Hamner Theater All Hamner events have been on zoom since March 2020. The Hamner Theater continues to offer weekly Improv sessions, free and open to the public; monthly uncurated Community Conversations; monthly Second Saturday Community Zoomversations of plays written as part of the Newtown Project; regular play development workshops through the VPSI. We have been in rehearsal to develop an original adaptation of Chekov's The Cherry Orchard which will be a touring production, a continuation of Chekov UnBound and the collaboration with UVA playwright Doug Grissom (Three Sisters in 2019.) The play has become a monthly zoom act-by-act event and has been recorded to be an audio play as well. https://oddlittlemuseum.org/remy-st-clair daily 0.75 2022-03-06 https://oddlittlemuseum.org/new-page-1 daily 0.75 2022-09-12 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/9a244651-a3cc-4e59-8783-27f5b316b98e/dreaming-cville-logo-square-500px.png https://oddlittlemuseum.org/dreaming-charlottesville daily 0.75 2023-05-19 https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/cf36acdc-2d2a-4337-9169-d2f0682f94f6/UVAArts_ArtsCouncil_Stacked.png https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/641f6e47-a319-41d2-9364-d17b76be6935/dreaming-cville-logo-square-500px.png https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/ea2d4495-0cc8-44d0-a4db-dc46a36f05ea/Resized_20221010_181832.jpg https://images.squarespace-cdn.com/content/v1/612fe25a8eeddd6488499476/5e4f6921-3a03-4f37-9447-d54b5f3d9f64/IMG_3244.jpg 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